poetic rhythm
英 [pəʊˈetɪk ˈrɪðəm]
美 [poʊˈetɪk ˈrɪðəm]
网络 诗的节奏
双语例句
- Chapter two studies the expressive forms of Williams 'poetic ideas. It probes into the uniqueness and creativity of Williams' poetry from three aspects as variations on objects, variations on language and variations on rhythm.
第二章研究威廉斯诗歌主张的表现形式，分别从事物的变奏、语言的变奏和韵律的变奏等三个方面，分析威廉斯诗歌的独特性和创新性。 - 'Pausing rhythm' as the principal rule and the sole criteria to determine an ancient poetic sentence, represents the combining requirements of semantic expression and physiological phonation which together determine the length of a sentence and restrict the syllable structure and rhythm within a poetic sentence.
停顿律是古典诗歌句子的首要规律和唯一划分标准，代表语义表达和人体发声规律对句长的共同选择作用，和对句内音节结构以及节奏的限制。 - On Commonsense and Difference in Cognition Translation of Rhyme Beauty of classical Chinese Poems into English Ones On Commonsense of Recognition of Poetic Rhythm Beauty and Its Translation
汉英诗歌音韵美的相异性及翻译论汉诗英译中的音韵美的认知共识与翻译 - On Selected Works on Poetic Rhythm Study in Qing Dynasty
清代诗歌声律学著作举要 - The Chinese poetic rhythm consists of two elements& basic elements and subordinate elements.
汉语诗歌节奏有两种成分&基本成分和附属成分。 - Mings theory on poetic "rhythm" has two points.
明人“韵”论在两个层面上展开。 - The characteristics of the poetic language are distinctive figures, new and strange dynamics, harmonious rhythm and the artistic means of strengthening the language imagination, such as personification and imitative things, exaggeration and metaphor, general feelings of six sense organs.
诗歌语言的特征是：形象鲜明，新奇动感，音韵和谐，增强语言形象感的艺术手法：拟人拟物，夸张比喻，六根通感。 - This article gives a brief account of the differences between poetic language and common language from aspects of grammar, rhythm and image.
从语法、韵律、意象等三个层面对诗歌语言与普通语言的差异性进行阐述。 - Thus, Cao Cao's works are still a beauty combining poetic language with musical rhythm, belonging to the category of the Han "lyric".
据此而论：曹操的作品仍是诗歌语言与音乐旋律之美的综合体，属于汉代歌诗的范畴； - The paper mainly gives careful analysis and summarization to historical study of poetic forms in order to reveal the innovation of Tang poetry style based on and beyond the poetry sound and rhythm of the six dynasties from Wei to Jin.
第一，唐诗格所关注的形式特征和它所解决的问题，主要针对诗格形式研究的史料进行细致分析和归纳整理，以揭示唐诗格对六朝声律论的革新和超越。